Milk: DVD, Blu-ray Review (2009)

Fighting for equality, and paying the ultimate price
Directed by Gus Van Sant, written by Dustin Lance Black, 128 minutes, rated R.
Gus Van Sant movie, “Milk,” from Dustin Lance Black’s Academy Award-winning script, is one of last year’s best films. Given that it came in the wake of California’s Proposition 8, which overturned the rights for gay men and women to legally marry, it also remains timely and relevant.

The year was 1972 and, along with his boyfriend Scott Smith (James Franco), Milk moved to San Francisco, where it was becoming known that in the Castro District of that city, gay men and women were relocating and opening up shop in what had become a depressed Irish Catholic neighborhood.
Seeing an opportunity, Harvey and Scott opened Castro Camera and attempted to become members of the business scene. Because of their sexuality, which they refused to conceal because doing so would be a lie, which was unacceptable to them, they were shut out, but not undone.
Realizing there’s always strength in numbers, Milk became politically organized and asked the gay population to frequent only gay-owned or gay-friendly shops and businesses. They did so--and Milk won. Those who chose to discriminate saw their businesses close. Those who didn’t saw their businesses flourish.


As a result, Milk became a target for doing so.
For those who don’t know Milk’s history, read no further--just see the movie and understand the reason why Sean Penn won the Academy Award for Best Actor. His performance is raw, exciting, sexual, introspective, provocative and spot-on.
For those who do know Milk’s story, they already know the terrible fate that befell him and Mayor George Moscone (Victor Garber) when their colleague Dan White (James Brolin), also a city supervisor, gunned each down in City Hall in 1978, not long after Milk’s efforts to defeat Proposition 6 in California were successful.
Why did White murder Milk and Moscone? On one level, because he resented their influence and power. On another level, for the same reason Charlie Howard was murdered in Bangor, Maine on July 7, 1984, when Shawn Mabry, Daniel Ness and Jim Baines chased him, harassed him, and then threw him over the State Street Bridge and into and Kenduskeag Stream, where he drowned. Or for the very reason Matthew Shepard was beaten, strung up to a fence and left to die in Wyoming (his death later occurred at Poudre Valley Hospital in Colorado). Milk and Shepard were openly gay; Moscone, a heterosexual, was a sympathizer. And so hatred, left unchallenged by the majority, was allowed to thrive, fester and funnel their way.

Beyond the performances, every one of which is terrific, what’s so great about “Milk” is that Van Sant resists the urge to overlook Milk’s flaws. Milk is viewed by many in the gay community as a martyr, which is fair enough, but Van Sant is wise to look through the haze of that martyrdom to mine a more complete picture.
He presents Milk as a complicated man--sometimes difficult, often controlling--who took his public position and the power that came with it so seriously, it twice led to the unraveling of two key personal relationships. Scott left him. His other partner, the unstable Jack Lira (Diego Luna), hung himself because he felt that Milk neglected him.
And yet Milk pressed on, fighting for equality, making waves, friends and enemies, until one man, whose own power rested in the belief of a loaded gun, decided that enough was enough. He took those fatal shots, but as this movie powerfully reveals, not the legacies of those he killed.
Grade: A
View the trailer here:
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